|
|
Voice: Acting |
Voice Acting: If They Want Morgan-Jack-Joe-Vincent, Maybe They're Really Searching For YOU, by Dave Courvoisier
|
Voice Acting: Corporate Voice Overs - Your Way to Stay Busy At The Mic In 2013, by Jim Conlan and Bettye Zoller
|
Voice Acting: Attitudes Affect Actions At The Mic - 'On Air' After Boston Bomber Capture, by Moneen Daley Harte
|
Voice Acting: Pop The Top, Grab A Crab, Big Pig: Warm Up Your Voice Before Recording, by Ann Utterback
|
Voice Acting: When Receiving Voice Over Direction - Listen, Learn And Be Tough-Skinned, by Deb Munro
|
Voice Acting - How To Decode The Script's Specs - What The Director REALLY Wants, by Elaine Clark
|
Voice Acting: Who Do You Think You're Talking To? Drop 'Industry Speak' by Matt Forrest
|
Voice Acting: If The Script Read Is A Shot In The Dark, Ask Client These 10 Questions, by Lisa Rice
|
Voice Acting - 20 Tips For A Passionately Human And Natural Voice Over Performance, by Elley-Ray Hennessy
|
What Voice Actors Are Doing Wrong: Creative Teams Report 'Pet Peeves', by Edge Studio Staff
|
Voice Acting - Boo! Let Your Inner Freak 'Out' ... Play Halloween All Year Long, by Deb Munro
|
Voicing Lists: Are You Boring? Add Variety With These Musical Scale Patterns, by Elaine Clark
|
Directing: When You Are The Director, Know How To Get The Best From Talent, by Dan Friedman
|
Voice Acting: 10 Ways To 'Place' Your Character Voices - From Natural To Monster, Nasal And Pug, by Elley-Ray Hennessy
|
Voice Over Animation: How To Keep Your Voice In Shape And True To Your Characters, by Elley-Ray Hennessy
|
Voice Acting: The Morgan Freeman Voice Over Mystique: A Four-Point Lesson For Voice Actors, by Dan Hurst
|
Voice Acting: If You MUST Breathe, Please ... Do So Quietly. Here's How, by Paul Strikwerda
|
Dave Fennoy Chats About Voicing Video Games - And Interactive Zombies In 'The Walking Dead' by Rebecca Michaels
|
Voice Acting: The 'Aha' Light Bulb Went On: For This Job, I Was 'Authentic Me' ... by Alan Sklar
|
Voice Acting: Clicks, Pops & Slurps - How To Minimize Annoying Mouth Noise, by Susan Berkley
|
Ask Marc #5 - Slating - What's The Best Way? Plus - Urban Imaging And Agents, by Marc Cashman
|
Voice Acting: Saying 'Nah' To Voice Over Challenges Shows You Don't Believe In Yourself, by Terry Daniel
|
Voice Acting: Get Pronunciations Right! Research - Or Someone Else Will (Get The Job), by Deb Munro
|
Voice Acting: Message To 14-Year Old Jake (And You): Imitation Is Dead End - Find Your Own Voice, by Paul Strikwerda
|
Writing Commercials: Leaving Space 'Between The Lines' Is Good For Bottom Line, by Dan Friedman
|
Voice Overs - Talking Shop: Moe Egan, Mike 'The Mic' Jablon & Lau Lapides, by Stuart Grimes and AJ Cawley
|
Voice Acting: Abandon The 'Tricks" And Honestly, Emotionally Connect With Listeners, by Juan Carlos Bagnell
|
Ask Marc #3: How To Find Medical Narration Clients; Voice Over Audition Tips, by Marc Cashman
|
Voice Acting: Are Your Medical Narrations Boring? Good! That's What The Doctor Ordered, by Alan Sklar
|
Voice Acting: Read Out Loud EVERY DAY To Be & Stay Competitive, by Juan Carlos Bagnell
|
Voice Acting: Voice Stuck In A High Pitch? Start Lower And Climb Up, by Ann S. Utterback, Ph.D
|
Ask Marc #2 - How To Cope With Clearing Your Throat, Write A Bio & Voice Trailers, by Marc Cashman
|
Voice Acting: Martha Graham, Where Are You Now That We Need You? by Alan Sklar
|
Voice Acting: How To Find Clues In The Copy - Read Over Before You Voice Over, by Randye Kaye
|
When Your Client's Idea Is A Turkey (Or Lobster), Give Thanks Anyway
|
Voice Acting: Does Your Client Want You As A Voice Actor - Or Voice Model?
|
Moving From Radio To Voice Over - 7 Ways Radio Experience Helps, by Randye Kaye
|
Voice Acting: KISS Your Voice Over Clients With These 5 Crucial Questions, by Derek Chappell
|
Voice Acting: 7 Ways To Sound Conversational - Not Like A Bad GPS Audio, by Susannah Kenton
|
Voice Acting: Do You Do Character Voices? We're Not Just Talkin' Cartoons, by Rick Gordon
|
Voice Acting: Don't GUESS How To Pronounce Unfamiliar Words - Ask Or Research, by Andy Bowyer
|
Voice Acting - How To Take 'Announcery' Read Out Of Voice Over Promo Copy, by Rodney Saulsberry
|
The Music Of Voice Acting - Hear And Feel The Script's Song, by John McLain
|
8/24/2011 - See Pat Fraley's Free Video Voice Over Lessons - Help Him 'Sleep At Night' Again
|
8/18/11 - Online Feedback Forum: Peer Reviews Of Voice Over Auditions, Practice & Jobs , at Edge Studio
|
Live Announcing? 'I'd Squirm' & Decline ... But Tonight I Did It, by Caryn Clark
|
Voice Acting: New Video Offers Lessons For 'Women With Character' - by Pat Fraley
|
Voice Acting: 10 Tips Help Frequent Fumblers Avoid Costly Pick-Ups & Editing, by Dan Friedman
|
Voice Acting: Six Simple Requests For Clients - To Max Your Voice Over Service, by Rick Lance
|
Recording Studio Booth Etiquette - What To Know Before You Begin, by MJ Lallo
|
Your Cool Ain't Necessarily 'Cool' ... Give Voice Over Clients What THEY Want, by David Radtke
|
Voicing The Infomercial - Stimulate Listener By Talking About "Us," by Kevin Delaney
|
Voicing Toys: Make It Fun ... While You Work Hard, by Elaine Clark
|
Voice Acting: Practice The 'Fast Legal Tag' ... Start Slow, Then Faster, Faster - by Rodney Saulsberry
|
Newcomers: 'You Have Such A Nice Voice!' Sure, But Here's What It Tales To Succeed in Voice Overs, by Randye Kaye
|
Voice Acting: Deconstructing Barney Fife - Pat Fraley & Scott Burns Demo The Elements
|
Voice Acting: A Great Voice Over Coach Is ... Your Ears! Learn To Listen, By Dan Friedman
|
VOcation Tips: Do It NOW & Listen Before You SEND, by Rory O'Shea
|
Voice Acting: Get Personal - Find Your Conversational Voice Over Delivery, by Ann S. Utterback, Ph.D
|
Voice Acting: The Mighty Tongue Twister - For Mighty Good Performances, by Joe Loesch
|
The 'Sweet Spot' To Voicing Credible Dialects & Accents Is ... by Doug Honorof
|
The 'Conversational' Voice Over Read - Five Ways To Please Your Clients, by Pam Turlow
|
Voice Over Business Etiquette - Avoid These Fatal No-No's (And Share Yours), by Dawn Harvey and Vanessa Hart
|
Voice Acting: Your Over Success Mindset - How To Stay Centered Behind The Mic, by Susan Berkley
|
Directing Voice Talent: Know The Message & Communicate Well, by Dan Friedman
|
Voice Acting - How To Quickly Choose Your Character Voices In The Booth, by David Goldberg
|
Audiobooks: How Script Notes Track Your Characters & Plot, by Vanessa Hart
|
How Do You Stay Awake When Voicing Those Late-Night Jobs? by Stephanie Ciccarelli
|
Voice Acting: Letting Go - Can You Permit Yourself To Be Just YOU? (Yes, It's Difficult) by Deb Munro
|
Voice Acting: How To Ace Your First Session In A Professional Recording Studio, by Maxine Dunn
|
Voice Actor - What's In YOUR Tool Box? Let's Share It ... by Ed Victor
|
Voice Acting: Can The Cans? Pros & Cons In the Great Headphones Debate, by Deb Munro
|
9/15/2010 - Edge Studio's Feedback Forum: Gives Free Feedback On Your Voice Over Practice Reads
|
Voice Acting Is Not About Your Voice: It's About Your Client's Story, by Bob Souer
|
Voice Acting: 6 Ways To Get Over Those Voice Over Practice Walls, by David Goldberg
|
Voice Acting: Animation & TV Puppetry - Create A Sense Of Character & Truth, by Paul Liberti
|
Voice Acting - 'Just Give Us Five In A Row' ... How To Prepare By Practicing Variety, by Randye Kaye
|
Voice Acting: Acting With Your Voice - What & How To Learn For Voice Over Success, by Vanessa Hart
|
Voice Acting: These Dozen Top Skills Are Crucial To Career Success, by Marc Cashman
|
Technology: Connect To The Voice-Over World With Skype ... For Remote VO Jobs & Coaching, by Deb Munro
|
Voice Acting: Working Online - Five Survival Tips For 'Remote' Voice Talent, by Steven Lowell
|
Characters - Free Audio: Pat Fraley Reveals Formula for Creating Unique, Evocative Characters
|
Voice Acting: Watch For The Caution Signs In Voice-Over & Your Life, by Lisa Rice
|
E-Learning: How To Get Hired For Projects - Or Be Rejected, by Rick Gordon
|
Voice Acting: Confused By The Director's Direction? Copy & Use This CHOICES Worksheet, by Xavier Paul
|
Business: E-Learning is BIG Business, But Also Major Maintenance. What to Know ... by Rick Gordon
|
Six Tips To Shine On Every Job ... You Never Know Who's Listening, by Amy Taylor
|
Voice Acting: For Lifelong Clients, Apply Lifelong Learning ... About Voice-Overs & Everything! By Randye Kaye
|
Voice Acting: Put Your Emotions In A Bag & Pull 'Em Out To Practice, by David Radtke
|
Voice Acting: Basic VO Acting Techniques - Four Ways To Pep Up Your Reads, by Sherri Berger
|
Ask Rudy #3 - Casting: What's Your Process For Selecting Voice Talent? by Rudy Gaskins
|
Dear Santa: Bring Me Tools To Be A Good Voice Actor! by Bettye Zoller
|
Voice Acting: Voicing Without Sight - JAWS, Braille & Listen Well - Interview with Maureen Young / Part 2, by John Florian
|
Voice Acting: Queen of The Sound Picture Says 'Listen To Copy For The Story' - Interview with Maureen Young / Part 1, by John Florian
|
Ask Rudy #1 - On The Job, What Clients Expect: Suck It Up, Baby - You're The Pro, by Rudy Gaskins
|
Voice Acting: Create Characters To Breathe Life & Personality Into Your Message, by Sherri Berger
|
Coping With Copy: Difficult ... Offensive ... Always Changing? How To Approach It Positively, by Rodney Saulsberry
|
Do You Have An Ear For Dramatic Reads? Here's How To Tune In, by Donna Reed
|
Voice Acting: In The Booth - Are You Anxious & Worried? Flip That Feeling With An 'Ode To Success' by Danielle Quisenberry
|
Voice Acting: Stuck In A Boring 'Comfort Zone'? Dare To Push Your Voice Outside, by Bob Souer
|
Script Doctor: Offer Your Surgery As Needed - But Beware Side Effects, by Connie Terwilliger
|
Voice Acting: A Dozen Ways To Prepare For The Perfect Read, by Michelle Summers
|
Voice Acting: "Shut Up!" The Voices In Your Head Won't Go Away - So Employ 'Em! by Penny Abshire
|
Voice Acting: Apply Your Palette Of Vocal Colors To Brush Words, by Marc Cashman
|
Directions: The Best Ones Help Create Pictures In Your Mind - Interview with Bill Holmes, Part 2, by John Florian
|
Voice Acting: Connect With Listener By Lifting The Words Off The Page, by Bobbin Beam
|
Crappy Copy Complicates Completing Client's Creation (Huh?) How To Cope, by Dave Courvoisier
|
Character Development in Voice-Overs: Observe, Listen & Draw On Memories, by Bettye Zoller
|
arTICulate! Exercise Your Tongue & Jaw Before Voice-Over Sessions, by Connie Terwilliger
|
Voice Acting: It's All About Characters - Make Them Believable For Your Clients and Audience, by Deb Munro
|
Why Many Voice Talent Aren't Hired ... Are You Making These Mistakes, Too? by David Goldberg
|
Marking Scripts: Create Visual Cues To Deliver Your Best VO Performance, by Peter Drew
|
Pacing Your Read: Fast, Medium Or Slow - How To Deliver On Time, by Stew Crossen
|
Auditioning - The Root Canal of Voice-Overs, by Pat Fraley
|
Audiobook Journal: 'When You're Doing Everything, It Takes Time to Do It Right,' by Bobbin Beam
|
Interview: MJ Lallo - How to Become Your Animation Characters At the Mic, by John Florian
|
Political Attack Ads: 'It's Just a Job' ... NPR Interviews Reveal Techniques
|
Voice: Stop the Stumbles! A Quick Way to Get Your Brain and Mouth Working Again, by Peter Drew
|
TV Promos: Train Like An Olympian & Know Lingo For Gold Medal Reads, by David Alden
|
The Dry, Flat Read: 'So Shocking That Everyone Will Sit Up And Notice,' by Bettye Zoller
|
Relax, Study Emotions & Characters to Create Your Own 'Voice Print' by Lou Hunt
|
Load Your Words With Attitude & Emotion: Lift 'Hope' ... Feel 'Pain'! by Marc Cashman
|
Sure, You Breathe When Reading Copy - The Trick Is Knowing How, by Juan Carlos Bagnell
|
Warm-Up: Ducks, Brass Monkeys, Apathetic, Sympathetic ... Take The Announcer's Test! by Bobbin Beam
|
Punctuation: How to Deal With It ... And Scripts With Bad Grammar, by Marc Cashman
|
How to Make and Match Revisions to Your Previous Voice-Over Work, by Melanie Haynes
|
The Power of the Pause: Let Listeners Absorb What You're Saying, by Mike Harrison
|
Are Daffy Script Directions Driving You Crazy? How to Cope, by Marc Cashman
|
Celebrity Voice-Over Impersonations: Be Cautious! Words to the Wise, by Bettye Zoller
|
Pronunciation: Don't Sound Like You Just Fell Off The Hay Wagon, by Marc Cashman
|
How To Develop Original Characters For Your Voice-Over Work & Demos, by Jean Ann Wright
|
Know The Triggers To Really Communicate / Part 1, by Ron Knight
|
Know The Triggers To Really Communicate / Part 2, by Ron Knight
|
Audiobooks: How To Read Aloud - Without 'Bleeding' On The Audience, by Pat Fraley
|
Dialects: 'Sore-ee' ... It's 'A-Boat' Time You Voice In Generic English, by Deb Munro
|
Acting: Discover ABCs of Every Script ... And Warm Up! by James Alburger
|
Create A Cast of Core Characters, by Penny Abshire
|
Acting: Find Your Natural Rhythm, by Peter Drew
|
follow daily news/features