Voice Acting: A Story Told Well Stays With Listeners. Voice It From Your Singular Perspective, by Kim Handysides
story. We swim in it, soak in it, eat it up daily. Hourly, even.
have you stopped to consider your relationship with story as a voice-over
artist?
our super power as human beings. Intrinsic to that power is the ability
to project ourselves in a moment outside this one.
thousand eLearning
developers and creators, Burton recommended habituating the gateway to
story, using the ubiquitous chestnut “What if” to better engage their
users and learners.
you recognize this as incorporating Meisner technique or Practical
Aesthetics. If your background is broadcasting, think of it as finding
that personal angle to hook the 6 o’clock supper hour news story on.
make it personal to you.
doesn’t provide it, build your backstory to better present it. For example:
The copy is a retail radio spot for a weekly
special about cheap chicken and toilet paper? Use “what if” to imagine
those prices really making a difference in your life. How? Maybe you’re a
millennial who’s just left home, you’ve got a new family and all your
money is going toward diapers, or you’re on a fixed pension.
“what if” world-building will help your message connect on an emotional
level.
roast lingering in the air and your grandfather tap, tap, tapping the
tobacco in his pipe as he launches into a story about his youth.
you feel? Lit up like a Christmas tree?
to process info best through storytelling. We have an eons old history
of passing everything on aurally. Whether legend, cautionary tale or
recipe on how to live life, we figured out over millennia that kids would
get it faster, deeper, better if sewn together in story.
times more areas of our brains light up when we bake info in a story
cake than if we just slice it up into naked factoids.
etc.) if told well (i.e. with emotion, with enough world building and
an appropriate “what if”) will prompt your listener to action (which is
what your client wants) and fill out their time cards appropriately or
sign up for the corporate baseball team or go and put that brand of
frozen pizza in their shopping cart next time they need groceries.
we do is powerful stuff (when done well).
their stories to their clients. It’s a big responsibility. We are the
Hermes of humanity. The messengers.
understand both the needs of the message maker and message receiver.
another, but the same holds true for stories told in spoken word. Morgan Freeman in Shawshank Redemption, Tom Hanks in Forrest Gump, Kate Winslet in Titanic.
voices, telling those stories stick with you. Same with ads. The Alka
Selzter man from the 70’s moaning “I can’t believe I ate the whoooole
thing,” the tiny grandma from the 80’s shouting “Where’s the beef?” or
more recently, Matthew McConaughey rubbing his fingers and musing,
“That’s a big bull” in the Lincoln ads.
at the DevLearn conference, LeVar Burton wrapped up his speech on
storytelling to the eLearning crowd by telling us what we imagine and
what we create are inextricably linked.
created existed first as an imagining, shared with another in, most
probably, story.
artist, producer or “other” creative: what will your unique contribution
be? What are your stories? And how will you tell them from your
singular perspective?
ABOUT KIM
Kim
Handysides is a top voice-over artist in commercials, eLearning and
narration. She loves dogs, mountains, beaches and story. With a
background in theatre and film and a thorough grounding in radio and
television, she works a lot and loves sharing advice, tips and
experience with anyone who asks.
Email: KimHandysides@gmail.com
Web: www.KimHandysides.com
