Career: Hey, Wait A Minute: Could THIS Be Voice-Over’s Golden Age? by J. Michael Collins
social media, you might think the business is a barren wasteland of
scarce opportunities, declining rates, and predators hiding behind every
corner ready to pounce on the pocketbooks of talent who don’t know any
better.
experiences, online voice-over culture often seems to be the same, with
the most active conversations trending negative by a large margin.
purpose to educate and warn new and less-experienced talent about the
traps they potentially face, it does not fully represent today’s
marketplace realities.
convinced we may actually be living in the golden age of voice-over and
not even realize it.
over the past decade. With the march of technology giving buyers access
to talent across the world, this was inevitable.
the debate out there, strong broadcast rates were not so much a function
of union protections as they were the result of the talent pool being
both limited in number and geographically concentrated in Los Angeles
and New York in particular.
a lucrative career was not really a viable option outside of those
markets.
together a low six-figure income working on commercials, imaging,
affiliate work, promo, and TV narration in their area, but if you wanted
to do the highly visible and bigger-budget work it was pretty much LA
or NYC.
working through a network of a dozen or so agency players – about the
same number of prestige casting directors – and almost always recording
at professional storefront studios, because that was physically how it
had to be done.
to the buyer.
the ability for local and regional agents to access national jobs, and
the inevitable introduction of more quality talent to the competition
pool had a natural effect on supply and demand, tilting the playing
field away from the gatekeepers who could preserve rates by controlling
access to talented voice actors.
endless. Like singing, screen/stage acting, or professional athletics,
inherent talent is essential.
and even fewer combine it with business sense.
you hang around VO social media long enough you’ll realize it’s mostly
the same people from platform to platform: There aren’t that many of us.
the advent of online casting and easy remote connectivity.
thousands, and certainly not the silly numbers you hear quoted by
doomsayers and online casting sites that count every half-completed
profile ever filled out as one of their “800,000 talent.”
market has corrected broadcast rates to reflect current supply/demand
balance, that correction is now largely over.
floor, and talent have done an exceptional job of educating themselves
on how to negotiate, further plugging any remaining holes in the dam.
the industry is making hardcore pledges to preserve rates and put
talent interests on an even playing field with buyers, we know something
has changed.
commercial work, but we have reached an inflection point. From here
forward, commercial rates are likely to see a very slow climb.
to the heights of 20years ago, but there’s nowhere to go but up.
and radio commercial work out there today than in the past (especially
as terrestrial radio has gone into deep decline), Internet commercials,
pre-roll and the like are exploding.
something we need to remind our clients every time we negotiate web ad
rates.
will be more volume than ever before thanks to the internet.
non-broadcast narration rates. In a strong economy, industrials that
were fetching $400 a few years ago are now often garnering $750 and even
$1,000 without companies batting an eyelash, especially if you are
working directly with the end user.
skilled talent can essentially book it at will when following
auditioning and marketing best practices. There is virtually no end to
it.
spend equal to the Department of Defense.
staggering as content creators, corporations, and institutions struggle
to find voice actors who can capably and competently narrate tens of
thousands of words with compelling delivery technique and rapid turn
times.
E-Learning superstars buying more drinks than the commercial heroes of
yesterday.
union, and with potentially major league paydays as the world class
acting chops needed to make it in that genre are not in massive supply.
and outside of LA, offering prestige roles which can boost the
visibility and demand of talent who book them.
successful talent would ever coach other talent, “to book their work.”
there is today.
chasing it, the quantity of work is increasing faster than the size of
the talent pool.
teaching anyone to book their work; they can quite literally have as
much work as they want. It’s hanging from trees for those who know how
to master the use of their time.
day of the seven-figure voice actor, outside of animation, is nearly at
an end. That’s the new normal.
voice actor is upon us.
This never used to exist outside of the coastal markets.
is almost unique in the modern economy in that the concentration of
wealth is shifting from the one percent to the middle and upper-middle
earners. Anywhere else in society this would be enthusiastically
celebrated at this point in time.
ABOUT J. MICHAEL
In
more than 20 years as a professional voice actor, J. Michael has worked
with many of the worlds largest companies, brands, sports leagues and
organizations – in both the classic agency-based VO world and online casting
marketplace, where he has become a leading authority. He is also recognized as an industry-leading voice-over coach and
award-winning demo producer.
J. Michael is a 16-time Voice Arts Award winner as voice actor, demo
producer, script writer and casting director.
And his voice-over students have booked hundreds of commercials by
applying J. Michael’s character-based approach to conversational VO.
Email: jmichael@jmcvoiceover.com
Web: www.jmcvoiceover.com
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